The Signifying Materiality of the Body (in Protests) in the Imbrication of Ideology, History and Discourse

Abstract The purpose of this article is to analyze the signifying materiality body in protests scenes discursive imbrication political borders with social. theoretical and analytical perspective taken based on historical-materialism from Discourse Analysis French line help comprehension its relation history, ideology, memory discourse. In sense, intention focus a specific work by Zimbabwean artist Dan Halter, considering meaning effects that slide metaphorically metonymically other senses unfold different images subject (LAGAZZI, 2014a) understand resistance-revolt-revolution process ideological class struggle (PÊCHEUX, 1982 [1975]), especially those processes tensivity social spaces occupied bodies crossed symbolic, ideology history.